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Emptiness Potential, and Atonement, immersive installation

Sangre De Cristo Art Gallery, Pueblo 2022

A room was built inside the gallery. Projections of sky and water were interrupted by cast acrylic hands, chains, and pierced ceramic bowls. Sound interrupted the silence of the environment. Two life-size ceramic body casts made of porcelain and local clay from a gold mine hung in space from rusted chains, while wraiths of recycled plastic and gold leaf hung from rusted grid-like slabs of meat. Slowly spinning, they formed moving shadows. Poetry wrapped the walls and ceiling.

 

 

‘Vision is Mind, Mind is Empty, Emptiness is Clear Light, Clear Light is Union, Union is Great Bliss’

From the fivefold teachings of Dawa Gyaltsen

“In ordinary experience, every moment takes place when the previous moment dies. Every new breath follows the death of the previous breath. In-between breaths, thoughts, days, events, in-between everything, there are gaps; and each gap offers the possibility of glimpsing pure emptiness [potential] through the clouds… With training, it’s possible to become aware of the space in-between, the gap in-between our thoughts, our moods, our perceptions, and our breaths. What makes this gap so precious? Let’s say we are looking at a cloudy sky. Some clouds are lighter or darker than others; they move fast or slow, disperse and change shape and dissolve into one another. Then suddenly there’s an opening, and for an instant, we glimpse the sun. That opening in the clouds is the gap.”

 

    In Love with the World: A Monk's Journey Through the Bardos of Living and Dying by Yongey Mingyur Rinpoche, Helen Tworkov

time + action + remains = ART

‘How do evolving timelines invite intersections with ecology, expansion, and contraction?’

As an interdisciplinary artist, I explore conversations about spiritual ecology, creating immersive experiences through sculpture, performance, and installation that invite expansive awareness. I aim to create spaces for connection, reflection, and alternate perspectives. I am committed to contributing to a more just and compassionate world.

 

How can art catalyze change and inspire us to reimagine intersections between social and environmental justice and personal and collective change? My work is led by investigative approaches, incorporating locality, clays, found objects, pigments, fibers, plants, film, photography, sound, and light.

‘Can we experience spatial relationships through vibration harmony and dissonance?’

This work centers on curating collaborative ritual performances informed by solastalgia, our experience of climate change. EARTHflows is an ongoing project based on locality, reverence for the natural environment, and community collaboration. It includes EARTHflow Ritual Performances, Earth Experiments, and Ritual Action Flow Paintings.

As director of the ecological art collective SkySoulStudio, I host a platform exploring solastalgia. We are a developing collective of environmentally aware creatives collaborating on investigations into impermanence and ecofeminism. Public engagement in community events offers the potential for reframing ideologies of contraction. Art can unite people, challenge assumptions, and inspire us to envision new possibilities.

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